Hammer’s great rival in the British horror movie market in the 60s and 70s was Amicus Productions. Amicus specialised in horror anthology films, all of which are worth seeing, but in my view the best of all their films was their 1972 release Asylum. Asylum was written by Robert Bloch, best known as the author of Psycho but an excellent and versatile writer of fiction in various genres. The director was Roy Ward Baker, one of the top British directors of the period (and a man who did some notable horror movies for Hammer as well). Asylum benefits from a particularly strong framing story. Young psychiatrist Dr Martin (Robert Powell) has applied for a position as a houseman at an insane asylum. On arrival he discovers that the director of the hospital is now a patient. The assistant director sets Dr Martin a challenge. He has to interview four patients, one of whom is the asylum’s former director. If Dr Martin can correctly identify which patient is the former director he gets the job. Each of the four patients then tells his or her story, these stories being the movie’s four segments...
Sunday, April 28, 2013
More sticks than you can shake a review at!
LEMORA: A CHILD'S TALE OF THE SUPERNATURAL and MESSIAH OF EVIL
BASKET CASE and THE BROOD
THE HUNCHBACK OF THE MORGUE and PHANTASM
HELLRAISER II and PHANTASM II
THE BABY and POINT OF TERROR
THE BLACK CAT (1934) and ISLE OF THE DEAD
SAVAGE INSTINCT and THE FORGOTTEN
COUNT DRACULA (1977) and FRANKENSTEIN: THE TRUE STORY
THE CALL OF CTHULHU, OUT OF MIND: THE STORIES OF H.P. LOVECRAFT and CTHULHU
Thursday, March 28, 2013
Thursday, November 1, 2012
(Recommended Article) TELEPORT CITY reviews THE MASQUE OF THE RED DEATH

In 1960, American International Picture’s “house” director Roger Corman convinced the notoriously cheap movie studio to pony up a little extra time and money (and color film) to produce Corman’s attempt to capture the lush Gothic atmosphere of a Hammer horror film. Against their thrifty nature, the studio relented, allowing the ambitious and inventive director a staggering fourteen days to make Fall of the House of Usher. The resulting film, a landmark in American horror, is a necessarily narrowly focused affair — there are only four characters — but it’s a fantastic accomplishment. The quick turn-around time and low budget is hardly evident. Every frame is stuffed with decaying Gothic opulence and vibrant color, and the talky nature and slow pace of the film never causes the narrative to drag, thanks almost entirely to the brilliant and tortured performance by Vincent Price. AIP’s risky (for them) investment paid off. The film was a hit, and audiences used to seeing cheap black and white horror were dazzled by this sudden explosion of color and quality. When the dollars started pouring in, AIP gave the go-ahead to Corman for another film in the same vein. And another. And thus was born what’s known as AIP’s Poe Cycle, a series of consistently high-quality horror films based (extremely loosely at times) on the writing of Edgar Allan Poe (and, in one case, H.P. Lovecraft, but they sold it as Poe)...
Wednesday, July 4, 2012
BLACK HOLE REVIEWS talks about one of my favorite horror films MASQUE OF THE RED DEATH

Gorgeous, colourful, complex, bloody, Roger Corman adaption of Poe The Masque of the Red Death is a costumed ball held in a castle fortress for the rich landowners, while all around the villagers are dying of a mysterious plague. With a captive audience, Prince Prospero (Vincent Price) can indulge in a wild party and even a little black magic without anyone complaining. Spurning his beautiful wife (Hazel Court), he kidnaps and attempts to lure a young christian (Jane Asher) to defect and worship Satan... Roger Corman directed a series of the best ever adaptions of Edgar Allen Poe, while remaining true to his stringent budget guidelines. How he successfully managed to sell these movies to teenagers at the same time as the beach party films, I'm not sure. Poe's poems and short stories needed expert scriptwriters (such as Richard Matheson and Charles Beaumont) to remain true to the gothic sensibility while expanding the material to feature-length. The themes of plague, evil, class and religion make for a rich set of subtexts for a period horror film...
HORROR MOVIE A DAY talks about the intense weirdness that is THE BABY!
And trust me this movie is pretty darn weird.
...did I actually SEE a 20ish babysitter breastfeed the 30ish title character, or was my brain jumbling a bunch of stuff together?
I assure you, that scene did happen. And it wasn’t even the weirdest thing about the movie (the fact that the babysitter shows up at his birthday party later despite the fact that Baby’s family beats her senseless for “molesting” him might be, however), which tells an ostensibly straight story about a social worker who wants to rescue a mentally handicapped man from his abusive family. However the script by Abe Polsky (who also produced) seemingly goes out of its way to make this as insane as possible, tossing in incest, cattle prod abuse, an intense game of darts, Michael Pataki, a school full of disabled children (the movie’s ickiest moment, honestly), and a surprise ending in which we learn who the craziest person in the movie really is...
to read the rest of the review click here

Saturday, June 30, 2012
The Reviews Are In!
‘Apocalypse Jones And The Race Against Time’
"I have been reading some of these Al Bruno III ebooks and really enjoying them, for the most part."
Halloween Prayers
"Creepy... Well done!"
In The Midnight Of His Heart
"Liked this one alot. Unique story line, and enough twists and turns to keep you on the edge of your seat. This is the 2nd book I've read by this author, and his stories are good enough for me to over look misspellings, word usage errors and the like. I think you will like them too."
The Nick Of Time (and other abrasions): Precious Artifacts
"Story gets u hooked"In This Twilight: tales of lost gods and fragile transformations
"Well written, interesting, and lots of twists and turns in this collection of short (and not so short stories). I love how some of the short stories interconnect to give you a new spin on the previous tale. I guarantee these are unlike anything you've read before!"
Tales From The Oddside
out of all the characters described ab3 was the wrost one, fuck you."
Tuesday, March 8, 2011
(Recommended Review) THE HORROR DIGEST goes out on a limb for SANTA SANGRE

I've been getting writer's block more and more frequently. Every time this happens I search for a way to get my creative juices flowing and always end up at Santa Sangre. By all accounts, Santa Sangre should be the key to unlocking a mind that is stuck in boring limbo--but for some reason it only makes my mind cloudier. I get lost for those 2 hours in a world of surreal circus life, elephant funerals, mambo music and Oedipus complexes. My creativity flies out the window every time the tattooed lady thrusts her gigantic tattooed boobs at me. Is it possible that Santa Sangre is less of a muse and more of a distraction? A good distraction anyway. After all, I'd much rather be stuck in the divinely surreal world of Alejandro Jodorowsky than be forced to return to normalcy. If you don't see me for a couple days, consider me lost to Santa Sangre...
Friday, August 6, 2010
(Recommended Reads) "Chieftain" by Maria Protopapadaki-Smith
It was a while before dawn would break; they stood by the small fire, talking quietly so as not to wake those in the neighbouring huts...
Tuesday, July 13, 2010
(Recommended Review) AND YOU CALL YOURSELF A SCIENTIST! examines and explicates the film ORCA
(Recommended Article) ALL THINGS HORROR reviews the utterly awesome LAKE MUNGO
Each year the After Dark horror fest unleashes eight films onto a dwindling and skeptical public. The majority of films released by the imprint fall somewhere between inept and SyFy's Movie of the Week. The problem is so many of the films have been terrible; the proverbial diamond in a lump of coal can go unheralded. This year's Australian import Lake Mungo is such a film. It's been one of the best films no one has seen this year. Trust me, don't let the fact that it's an After Dark film frighten you (or in the case of AD NOT frighten you) from seeing it). Normally I pride myself in writing fairly non-spoiler filled reviews, but for some reason, despite writing a few drafts of this post, I find myself unable to talk about it without giving too much away. Don't worry; I've posted tags in order to provide fair warning. Better yet, feel free to watch the film first, then head back and see if you agree, or go on and tell me I've got cottage cheese for brains...
click here to read the rest of the review
(and if you have not seen LAKE MUNGO then for God's sake do it NOW!)
Thursday, June 10, 2010
MAD MAD MAD MAD MOVIES gives us a hysterical and informative review of ISLAND OF THE FISHMEN

It seems that negative occurrences in our lives have the propensity to generate their own terrible momentum. You stub your toe on the way to the bathroom in the morning; a little later, you crack your head on an open cabinet door. Pulling into the parking lot at work, you scrape your paint on an unreasonably high curb. You go into find your computer has crashed, taking all your work on a mission-critical project with it, leading your boss to publicly humiliate you in front of the whole office before sending you packing to the unemployment line. Returning home in an emotionally vulnerable state, you find your Significant Other performing Crisco Acrobatics with the paperboy and three of his underage classmates, leading you to grab your rifle in preparation for a neighborhood-wide bloodbath/rampage. The first shell misfires, however, blinding you for life, the next 20 years of which you'll spend practicing echolocation in the Clink...
Sunday, May 9, 2010
HORRORSQUAD's fascinating review for THE HUMAN CENTIPEDE
French writer Georges Bataille said that "men are swayed by two simultaneous emotions: they are driven away by terror and drawn by an awed fascination. Taboo and transgression reflect these two contradictory urges. The taboo would forbid the transgression but the fascination compels it." That about sums it up for most people who have sought out The Human Centipede (First Sequence) -- and really, horror cinema in general...

Friday, April 16, 2010
(Recommended Review) THE LIGHTNING BUG'S LAIR gives us a look at THE DEAD PIT
When it comes to memorable video box covers, The Dead Pit ranks up there with Uncle Sam, Return to Horror High, and Critters for boxes that always stuck in my mind. While I always remembered the embossed box with the blinking red eyes, I long ago forgot the name of the film...
(Recommended Review) AND NOW THE SCREAMING STARTS gives us an epic review for D-WAR
I should begin this review by stating that D-War, the '07 CGI-heavy action fantasy Korean import had a major strike against before I clicked the "Watch Instantly" button. Prior to that, it was implicated, through no fault of its own, with one of the least pleasing video shop customers I ever had the joy of encountering...





